PRO AUDIO: La Resistance adds API 2448 console to demo facility
PRO AUDIO: Slate Audio presents the VSX modeling headphone system
PRO AUDIO: Parcheesi Recording Studio makes winning move with API
PRO AUDIO: Eventide presents its new Blackhole pedal
PRO AUDIO: The Golden Age premier GA-800G has been reviewed in MusicTech
PRO AUDIO: Dillon's Garage shifts gears withAPI Legacy AXS console
PRO AUDIO: First API Legacy AXS analogue recording and mixing consolein Australia supplied for new Hedberg Building at UTas
PRO AUDIO: Get the Virtual recorsing Studio at a campaign price
PRO AUDIO: Slate Digital campaign on the VRS-8
PRO AUDIO: API Reissues Legendary 312 Mic Pre
HIFI & PRO AUDIO: HEDD Audio HEDDphone REVIEW
PRO AUDIO: Eventide H9000 videos
PRO AUDIO: Wes Audio ngLEVELER
PRO AUDIO: Burl Audio update
PRO AUDIO: Burl Newsletter
PRO AUDIO: Chandler Limited Newsletter
PRO AUDIO: Buzz Raley Whistles an API Tune
PRO AUDIO: API Consoles and the Revival of Macon Georgia's Capricorn Studios
PRO AUDIO: API enhances the legend of Nashville’s Sound Emporium Studios
PRO AUDIO: API makes a dream come true for June Audio
PRO AUDIO AND HIFI: HEDD AUDIO presents the HEDDphone
PRO AUDIO: The Studios at Linden Oaks Commissions 32 Channel API 2448 Console
PRO AUDIO: Capricorn Sound Studios Orders API 2448
PRO AUDIO: New 50th Anniversary Products from API
PRO AUDIO: Retro Instruments presents the 500PRE
PRO AUDIO: API 2448 Console Commissioned for Wire & Vice Studio
PRO AUDIO: One Year Later: Kent State University at Stark’s API Vision Console
PRO AUDIO: Following Up With Made In Memphis Entertainment
PRO AUDIO: Sound Emporium Studios Purchases Second API Console
PRO AUDIO: News from Slate Digital
PRO AUDIO: Eventide news
PRO AUDIO: Check out this nice interview with a api 2448 user
PRO AUDIO: 'Now It Sounds Like A Record': Sockit Studio's API 1608-II
PRO AUDIO: Catching Up with Wire Road Studios and their API Legacy AXS Console
PMC Speakers:Once again we have teamed up with award-winning DJ Afrojack
PRO AUDIO: We can now demo the Api 2448.
PRO AUDIO: The Kray Twinz choose PMC
PRO AUDIO: API 2448 Console Installed at Pinch Recording
PRO AUDIO: API Legacy AXS Console Sold to Poland's Tall Pine Records
PRO AUDIO: Api 2448 TapeOp review
PRO AUDIO: API 1608-II Console Installed at Red Barn Studio
PRO AUDIO: Fenix Studios Install QB1 XBD-A
PRO AUDIO: API 2448 Makes European Debut at Musikmesse Frankfurt
PRO AUDIO: API Releases THE BOX Console with an Updated Feature Set
PRO AUDIO API 1608-II Console Commissioned for RPM Music Group
PRO AUDIO: API 1608-II Console the Choice for Five Towns College
PRO AUDIO & HIFI: Check out the latest PMC news
PRO AUDIO: Slate presents the Raven MTZ
PRO AUDIO: One Year Later: API Legacy AXS Console Sold by AVN Systems
PRO AUDIO:Check out this interesting Cenzo Townshend Studio Tour video. I was happy to see three Golden Age products featured in the beginning of the video!https://youtu.be/-Z590bpBInY
PRO AUDIO: STING SHOOTS OUT THE SLATE VMS ML-1AGAINST A REAL VINTAGE ELAM 251
PRO AUDIO: API Legacy AXS Console Installed at Oktaven Audio
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PRO AUDIO: PMC and AFROJACK presents the Global Remix Battle I
PRO AUDIO. Chandler Limited presents the TG Microphone
PRO AUDIO: api presents the 1608 MKII
PRO AUDIO: api presents the 2448
PRO AUDIO: Check out the story about Mäag Audio´s Air Band EQ.
PRO AUDIO: Slate VRS-8 börjar levereras nu!
PRO AUDIO: Check out the new Mäag Audio website
PRO AUDIO: Stevel Slate presents the ML-1 Vintage Edition
PRO AUDIO: Check out the English translation of this great review on the Golden Age Premier PRE-73 Premier at Amazona.de
PRO AUDIO: Amazona.de reviews the Golden Age Premier PRE-73 PREMIER
PRO AUDIO: The GA-251 will start shipping early October
PRO AUDIO: API Legacy AXS Installed at Studio Tanta
PRO AUDIO: API TranZformer Serires receives the Best in Show Award
PRO AUDIO: Slate News
PRO AUDIO: API Legacy AXS Console Purchased by Oktaven Audio
PRO AUDIO: One Year Later: Strange Weather's API Legacy AXS Console
PRO AUDIO: PMC June Newsletter
PRO AUDIO: The GA-47 has been reviewed at amazone.de
PRO AUDIO: Golden Age Projct Sweetwater interview
PRO AUDIO: Golden Age Project presents the COMP-3A Jr
PRO AUDIO: elysia presents the skulpter 500 preamp
PRO AUDIO: Golden Age Project EQ-81 MKII now in stock
PRO AUDIO: Golden Age Project R1 ST reviewed by MusicTech magazine
PRO AUDIO: PMC result6 news
PRO AUDIO: API Vision Console Commissioned at Kent State University at Stark
PRO AUDIO: aw Tracks To Polished Mix With Slate VMR 2.0 & RAVEN
PRO AUDIO: API Announces Second Legacy AXS Console Sale to Europe
PRO AUDIO: Mercury Recording Equipment - Studio Microphone Amplifier Demo
PRO AUDIO: The Golden Age Project COMP-2A has been reviewed by MusicTech magazine
PRO AUDIO: The Golden Age Project COMP-2A has been reviewed by Tobi Tech
PRO AUDIO: Chris lord-Alge Adds The EQ4M To His Arsenal
PRO AUDIO: Eventide announces availability of highly-anticipated H9 Control as Android App for H9 Harmonizer® Effects Processo
PRO AUDIO: Check out this new Golden Age Project COMP-3A review
PRO AUDIO: Recording drums at the Slate headquarters using the Virtual Microphone System
PRO AUDIO: News from Eventide: We’re proud to have had the DDL1745 inducted into the NAMM TEC Hall of Fame in 2018.
PRO AUDIO: Hedd Audio presents the Tower Mains
PRO AUDIO & HIFI: The PurePower+ 2000 was awarded the "Outstanding Product" title in the February 2017 issue of Hi-Fi News.
PRO AUDIO: New products
PRO AUDIO: BURL Audio is excited to announce that the highly anticipated BMB3 Dante option for the B80 and B16 MOTHERSHIPs is shipping now!
PRO AUDIO: Check our the demo video for the Bettermaker EQ542
PRO AUDIO: Major label artist drives Chandler Limited REDD Microphone for latest single, hear it now!
PRO AUDIO: Check out the Golden Age Premier GA-47 testimony by Geroge Murphy
PRO AUDIO: HEDD AUDIO Type 20 får en fin test i tidningen Monitor
PRO AUDIO: PMC December Newsletter
PRO AUDIO: Chandler Limited News
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PRO AUDIO: API TranZformer Series: First Year

PRO AUDIO: Golden Age Project presents the PRE-573

Having had great success with the PRE-73 preamp, we have received many requests for a version for the api 500 rack format. We are therefore happy to present the PRE-573, expected to start shipping in late September, at a retail of 270 USD.
 
The PRE-573 is a one width module that has the sound and the features that made the PRE-73 so successful and a few additional ones.
The circuit still uses the preamp and output section from the classic 1073-module, adapted to work in the api rack format. It has a total  gain range from -15 to +80 dB. The 10 – 70 dB range is handled by a turn switch  and there is a separate toggle switch to select an additional 5 or 10 dB gain. The input can be configured to accept line level signals by another switch, the gain is then lowered by about 25 dB and the input impedance increased to about 15 kohm.
 
The input impedance of the mic input mode can be switched between 1200 and 300 ohm. Phantom power and phase reverse is also selectable by front panel switches.
 
An added feature, using the same circuit as in the PRE-73 DLX, is the active DI-input with a high input impedance of about 2 Mohm. The output signal from the active DI circuit passes through the input transformer for some extra character.
The DI-input is very flexible since it can be changed to a purely passive one by a front panel switch. The DI input is then exactly the same as in the PRE-73 Mk2 where the signal is feed directly into the second gain stage, bypassing the transformer and with an input impedance of about 100 kohm.
These two DI-options makes it possible to get different tones from electric instruments and the passive DI input mode is more suited for injecting active units like sound modules. 
 
A new feature is the switchable AIR mode that  adds a small boost above 10 kHz that peaks at 2 dB at about 35 kHz.

A simple but effective signal and overload indicator is offered by a single LED that starts glowing red at about +4 dBu and then increases its intensity up to the maximum output level.
 
The PRE-573 has a dedicated insert connector at the back allowing it to interface with other GAP 500 modules. The insert can be activated by removing a jumper connector at the back of the module.
The second Golden Age Project module for the api 500 rack will be the EQ-573, expected to ship in November 2012. The EQ-573 consists of the inductor based high pass filter section  and the 3-band eq section from the classic 1073 module with some added frequencies. These two modules together will offer a fully fledged 1073-module in a compact format at a very low cost.
 
There is a second jumper at the back of the module that selects 600 ohm termination on the output. The standard mode is termination on, since it gives the flattest response when the PRE-573 is used with modern line inputs that typically has an input impedance of 10 kohm or more. The user can chose to remove the jumper and deactivate the termination resistor, this will increase the level above 10 kHz and create a peak in the response for an even more pronounced  “Air” effect.
The output is transformer balanced and fully floating and can drive a 600 ohm load up to level of about 28 dBu.

WELCOME AND PLACE A NONBINDING PREORDER HERE
 

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