PRO AUDIO: Catching Up with Wire Road Studios and their API Legacy AXS Console
PMC Speakers:Once again we have teamed up with award-winning DJ Afrojack
PRO AUDIO: We can now demo the Api 2448.
PRO AUDIO: The Kray Twinz choose PMC
PRO AUDIO: API 2448 Console Installed at Pinch Recording
PRO AUDIO: API Legacy AXS Console Sold to Poland's Tall Pine Records
PRO AUDIO: Api 2448 TapeOp review
PRO AUDIO: API 1608-II Console Installed at Red Barn Studio
PRO AUDIO: Fenix Studios Install QB1 XBD-A
PRO AUDIO: API 2448 Makes European Debut at Musikmesse Frankfurt
PRO AUDIO API 1608-II Console Commissioned for RPM Music Group
PRO AUDIO: API 1608-II Console the Choice for Five Towns College
PRO AUDIO & HIFI: Check out the latest PMC news
PRO AUDIO: Slate presents the Raven MTZ
PRO AUDIO: API Releases THE BOX Console with an Updated Feature Set
PRO AUDIO: One Year Later: API Legacy AXS Console Sold by AVN Systems
PRO AUDIO:Check out this interesting Cenzo Townshend Studio Tour video. I was happy to see three Golden Age products featured in the beginning of the video!
PRO AUDIO: API Legacy AXS Console Installed at Oktaven Audio
PRO AUDIO: Steven Slate Drums SSD5
PRO AUDIO: PMC and AFROJACK presents the Global Remix Battle I
PRO AUDIO. Chandler Limited presents the TG Microphone
PRO AUDIO: api presents the 1608 MKII
PRO AUDIO: api presents the 2448
PRO AUDIO: Check out the story about Mäag Audio´s Air Band EQ.
PRO AUDIO: Slate VRS-8 börjar levereras nu!
PRO AUDIO: Check out the new Mäag Audio website
PRO AUDIO: Stevel Slate presents the ML-1 Vintage Edition
PRO AUDIO: Check out the English translation of this great review on the Golden Age Premier PRE-73 Premier at
PRO AUDIO: reviews the Golden Age Premier PRE-73 PREMIER
PRO AUDIO: The GA-251 will start shipping early October
PRO AUDIO: API Legacy AXS Installed at Studio Tanta
PRO AUDIO: API TranZformer Serires receives the Best in Show Award
PRO AUDIO: Slate News
PRO AUDIO: API Legacy AXS Console Purchased by Oktaven Audio
PRO AUDIO: One Year Later: Strange Weather's API Legacy AXS Console
PRO AUDIO: PMC June Newsletter
PRO AUDIO: The GA-47 has been reviewed at
PRO AUDIO: Golden Age Projct Sweetwater interview
PRO AUDIO: Golden Age Project presents the COMP-3A Jr
PRO AUDIO: elysia presents the skulpter 500 preamp
PRO AUDIO: Golden Age Project EQ-81 MKII now in stock
PRO AUDIO: Golden Age Project R1 ST reviewed by MusicTech magazine
PRO AUDIO: PMC result6 news
PRO AUDIO: API Vision Console Commissioned at Kent State University at Stark
PRO AUDIO: aw Tracks To Polished Mix With Slate VMR 2.0 & RAVEN
PRO AUDIO: API Announces Second Legacy AXS Console Sale to Europe
PRO AUDIO: Mercury Recording Equipment - Studio Microphone Amplifier Demo
PRO AUDIO: The Golden Age Project COMP-2A has been reviewed by MusicTech magazine
PRO AUDIO: The Golden Age Project COMP-2A has been reviewed by Tobi Tech
PRO AUDIO: Chris lord-Alge Adds The EQ4M To His Arsenal
PRO AUDIO: Eventide announces availability of highly-anticipated H9 Control as Android App for H9 Harmonizer® Effects Processo
PRO AUDIO: Check out this new Golden Age Project COMP-3A review
PRO AUDIO: Recording drums at the Slate headquarters using the Virtual Microphone System
PRO AUDIO: News from Eventide: We’re proud to have had the DDL1745 inducted into the NAMM TEC Hall of Fame in 2018.
PRO AUDIO: Hedd Audio presents the Tower Mains
PRO AUDIO & HIFI: The PurePower+ 2000 was awarded the "Outstanding Product" title in the February 2017 issue of Hi-Fi News.
PRO AUDIO: New products
PRO AUDIO: BURL Audio is excited to announce that the highly anticipated BMB3 Dante option for the B80 and B16 MOTHERSHIPs is shipping now!
PRO AUDIO: Check our the demo video for the Bettermaker EQ542
PRO AUDIO: Major label artist drives Chandler Limited REDD Microphone for latest single, hear it now!
PRO AUDIO: Check out the Golden Age Premier GA-47 testimony by Geroge Murphy
PRO AUDIO: HEDD AUDIO Type 20 får en fin test i tidningen Monitor
PRO AUDIO: PMC December Newsletter
PRO AUDIO: Chandler Limited News
PRO AUDIO & HIFI: En fantastisk test av HEDD Audio Typ 20
PRO AUDIO: API TranZformer Series: First Year
PRO AUDIO: Check out the GAP user FreddeRico video
Pro Audio: Golden Age Project user comments
PRO AUDIO: Chandler Limited presents two new 500 modules
PRO AUDIO & HIFI: The Hedd Audio Type 20 is shipping and reviews are starting to appear
PRO AUDIO: Check out these great Golden Age Project Combos
PRO AUDIO & HIFI: PMC presents the result6 monitor
PRO AUDIO Eventide presents the H9000
PRO AUDIO: Golden Age Project presents the R1 ST Stereo Ribbon Mic
PRO AUDIO: Royer Labs presents the R10
PRO AUDIO: API Shows Wire Road AXS Console at AES, Commissioning to Follow
PRO AUDIO: API Legacy AXS Console Commissioned at Made in Memphis Entertainment
PRO AUDIO: API Vision Console Makes the Grade at Mount Olive High School
PRO AUDIO and HIFI: What London-based mastering superhero Streaky thinks of the Type 30
PRO AUDIO: Check out the Golden Age Project 500 Series review in Sound on Sound
PRO AUDIO: Antelope Audio adds compression quadrilogy triumph to vintage hardware-based effects library
PRO AUDIO: The Golden Age Project COMP-2A has been reviewed in Sound on Sound
PRO AUDIO: Check out the new Slate Raven Core Station
PRO AUDIO: HEDD Lineariser plug-in addresses monitor phase
PRO AUDIO: A Skeptical Pro Producer Tries VMS
PRO AUDIO: API Legacy AXS Console Sold by AVN Systems Installed
HIF and PRO AUDIO: Audiomatica presents CLIO12
PRO AUDIO: API Legacy AXS Console Installed at Michael Marquart's VA Studio
PRO AUDIO: API Legacy Plus Console Installed at MacEwan University in Canada
PRO AUDIO: Antelope ZEN STUDIO + August - September campaign
PRO AUDIO: Slate Core Station shipping in August
PRO AUDIO: Slate news
PRO AUDIO: API Legacy AXS Console Sold to Japan's Tanta Studio
PRO AUDIO: Tree Audio Nerwsletter
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PRO AUDIO: Engineer Daniel Sanint chooses Lauten Audio ‘Eden’ LT-386 for Ingrid Michaelson & Sara Bareilles Vocals
PRO AUDIO: Strange Weather Installs API Legacy AXS Console
PRO AUDIO: Check out this great review of the WesAudio _Dione

 PROAUDIO: The SoundChaser finds the Holy Grail of Audio Technology
Antelope Audio Goliath Interface

 Goliath captures dynamic FriendZ of World Music Show in pristine 24/192 audio


Bloomfield, Conn., February 9, 2017 — Graham Leftwich has been on the quest for superior sound quality for the past 30 years. A multi-instrumentalist, music educator and audio engineer based in Stamford, Conn. His mobile recording company TheSoundChaser specializes in location sound mixing, recording, and mastering. This past November, he tracked, recorded, mastered and lit the stage for FriendZ World Music concert — a dynamic and highly energetic African drumming and cultural dancing group — using the Antelope Audio Goliath recording interface.

Vibrant performances in vivid detail
When Leftwich was hired by FriendZ World Music, he knew the Goliath interface would include all the tools he needed. He’s been a fan of the Antelope sound quality and clarity since the introduction of the Orion32. Since then he has pieced together an almost complete Antelope ecosystem adding the Zen Studio, the MP32 and two Satoris. He acquired one of the first Goliaths in the USA and immediately put it to work on this session.

Using Antelope’s products has given me the flexibility to go seamlessly from studio to stage with the exact same equipment being used during all parts of the project. I am around instrumental musicians every day, and on all types of instruments, and these products deliver the most transparent true-to-source sound,” states Leftwich. The performance took place at Bloomfield High School and featured a group of ten drummers and five African dancers. Co-producer and manager of FriendZ World Music Stuart “Mookie” Sanders called on Leftwich to record the project.

Leftwich deployed five specialty microphones, connecting them to five of the eight class-A mic preamplifiers on the rear of the Goliath. The microphones included two standup calibration mics at the front of the stage (110° and 7” apart) and three boundary mics were taped flat down on the stage five feet in from the stage lip at left, right and center positions. Musicians and dancers moved over and around the boundary mics adding to the increased detail of the recording. Monitoring with headphones through the Goliath, he captured the multi-hour performance recording at 24/192 kHz.

The vast dynamic range of sounds emanating from the stage, which included deep hypnotic drums, intricate footfall of the dancers, and the swishing of jewelry sashaying across the stage, was a true test for Leftwich and his recording setup: “I was a bit concerned about clipping because the SPL of the drums was very high — but the recording came out perfectly with no overloads. On listening back, the levels were exactly where they needed to be and the Goliath handled everything beautifully.”

Synergy on the stage and off
Leftwich appreciated the ease of transport and 'all-in-one' features of the Goliath, which left no stone unturned in both quality and functionality. “The Goliath saved me countless hours of set up time for this and other recordings. It has all the routing and everything I need not only for live shows but for mixing and mastering as well. It’s the most powerful piece of gear I own and everything sounded just sounded right through the Goliath.”

The sonic imaging and detail of the Goliath left nothing to the imagination: “With the FriendZ of World Music show, I was able to capture one of my best recordings to date," he says. "My job was to capture these amazing musicians at their best and most passionate moments. These were complete takes with no edits. It’s as faithful to the real thing as you can get and that’s always my goal: achieving vivid clarity so you feel like you are at the show.”

Connecting at home base
When Leftwich decamped to TheSoundChaser™ studio, he connected the Goliath into his mastering set up and proceeded to balance and master the recording. Using Presonus' Studio One in combination with the Goliath's FPGA-based FX, he blended in a small touch of Antelope's Auraverb reverb to complement the natural acoustics of the concert hall, lending exactly the color and sonic ambience he was looking for.

Coming full circle with Antelope
Going forward, the Goliath will continue to serve as the cornerstone of Leftwich’s recording set up for both stage and studio. He has also begun to integrate his Orion32 and MP32 into his system for larger recording setups as a stage box feeding 32 channels of 24/192kHz into the Goliath via MADI.

FriendZ World Music will be releasing a live DVD and a CD set of the performance, as well as posting teaser segments to You Tube in the coming weeks.

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