PRO AUDIO: Catching Up with Wire Road Studios and their API Legacy AXS Console
PMC Speakers:Once again we have teamed up with award-winning DJ Afrojack
PRO AUDIO: We can now demo the Api 2448.
PRO AUDIO: The Kray Twinz choose PMC
PRO AUDIO: API 2448 Console Installed at Pinch Recording
PRO AUDIO: API Legacy AXS Console Sold to Poland's Tall Pine Records
PRO AUDIO: Api 2448 TapeOp review
PRO AUDIO: API 1608-II Console Installed at Red Barn Studio
PRO AUDIO: Fenix Studios Install QB1 XBD-A
PRO AUDIO: API 2448 Makes European Debut at Musikmesse Frankfurt
PRO AUDIO API 1608-II Console Commissioned for RPM Music Group
PRO AUDIO: API 1608-II Console the Choice for Five Towns College
PRO AUDIO & HIFI: Check out the latest PMC news
PRO AUDIO: Slate presents the Raven MTZ
PRO AUDIO: API Releases THE BOX Console with an Updated Feature Set
PRO AUDIO: One Year Later: API Legacy AXS Console Sold by AVN Systems
PRO AUDIO:Check out this interesting Cenzo Townshend Studio Tour video. I was happy to see three Golden Age products featured in the beginning of the video!https://youtu.be/-Z590bpBInY
PRO AUDIO: STING SHOOTS OUT THE SLATE VMS ML-1AGAINST A REAL VINTAGE ELAM 251
PRO AUDIO: API Legacy AXS Console Installed at Oktaven Audio
PRO AUDIO: Steven Slate Drums SSD5
PRO AUDIO: PMC and AFROJACK presents the Global Remix Battle I
PRO AUDIO. Chandler Limited presents the TG Microphone
PRO AUDIO: api presents the 1608 MKII
PRO AUDIO: api presents the 2448
PRO AUDIO: Check out the story about Mäag Audio´s Air Band EQ.
PRO AUDIO: Slate VRS-8 börjar levereras nu!
PRO AUDIO: Check out the new Mäag Audio website
PRO AUDIO: Stevel Slate presents the ML-1 Vintage Edition
PRO AUDIO: Check out the English translation of this great review on the Golden Age Premier PRE-73 Premier at Amazona.de
PRO AUDIO: Amazona.de reviews the Golden Age Premier PRE-73 PREMIER
PRO AUDIO: The GA-251 will start shipping early October
PRO AUDIO: API Legacy AXS Installed at Studio Tanta
PRO AUDIO: API TranZformer Serires receives the Best in Show Award
PRO AUDIO: Slate News
PRO AUDIO: API Legacy AXS Console Purchased by Oktaven Audio
PRO AUDIO: One Year Later: Strange Weather's API Legacy AXS Console
PRO AUDIO: PMC June Newsletter
PRO AUDIO: The GA-47 has been reviewed at amazone.de
PRO AUDIO: Golden Age Projct Sweetwater interview
PRO AUDIO: Golden Age Project presents the COMP-3A Jr
PRO AUDIO: elysia presents the skulpter 500 preamp
PRO AUDIO: Golden Age Project EQ-81 MKII now in stock
PRO AUDIO: Golden Age Project R1 ST reviewed by MusicTech magazine
PRO AUDIO: PMC result6 news
PRO AUDIO: API Vision Console Commissioned at Kent State University at Stark
PRO AUDIO: aw Tracks To Polished Mix With Slate VMR 2.0 & RAVEN
PRO AUDIO: API Announces Second Legacy AXS Console Sale to Europe
PRO AUDIO: Mercury Recording Equipment - Studio Microphone Amplifier Demo
PRO AUDIO: The Golden Age Project COMP-2A has been reviewed by MusicTech magazine
PRO AUDIO: The Golden Age Project COMP-2A has been reviewed by Tobi Tech
PRO AUDIO: Chris lord-Alge Adds The EQ4M To His Arsenal
PRO AUDIO: Eventide announces availability of highly-anticipated H9 Control as Android App for H9 Harmonizer® Effects Processo
PRO AUDIO: Check out this new Golden Age Project COMP-3A review
PRO AUDIO: Recording drums at the Slate headquarters using the Virtual Microphone System
PRO AUDIO: News from Eventide: We’re proud to have had the DDL1745 inducted into the NAMM TEC Hall of Fame in 2018.
PRO AUDIO: Hedd Audio presents the Tower Mains
PRO AUDIO & HIFI: The PurePower+ 2000 was awarded the "Outstanding Product" title in the February 2017 issue of Hi-Fi News.
PRO AUDIO: New products
PRO AUDIO: BURL Audio is excited to announce that the highly anticipated BMB3 Dante option for the B80 and B16 MOTHERSHIPs is shipping now!
PRO AUDIO: Check our the demo video for the Bettermaker EQ542
PRO AUDIO: Major label artist drives Chandler Limited REDD Microphone for latest single, hear it now!
PRO AUDIO: Check out the Golden Age Premier GA-47 testimony by Geroge Murphy
PRO AUDIO: HEDD AUDIO Type 20 får en fin test i tidningen Monitor
PRO AUDIO: PMC December Newsletter
PRO AUDIO: Chandler Limited News
PRO AUDIO & HIFI: En fantastisk test av HEDD Audio Typ 20
PRO AUDIO: API TranZformer Series: First Year
PRO AUDIO: Check out the GAP user FreddeRico video
Pro Audio: Golden Age Project user comments
PRO AUDIO: Chandler Limited presents two new 500 modules
PRO AUDIO & HIFI: The Hedd Audio Type 20 is shipping and reviews are starting to appear
PRO AUDIO: Check out these great Golden Age Project Combos
PRO AUDIO & HIFI: PMC presents the result6 monitor
PRO AUDIO Eventide presents the H9000
PRO AUDIO: Golden Age Project presents the R1 ST Stereo Ribbon Mic
PRO AUDIO: Royer Labs presents the R10
PRO AUDIO: API Shows Wire Road AXS Console at AES, Commissioning to Follow
PRO AUDIO: API Legacy AXS Console Commissioned at Made in Memphis Entertainment
PRO AUDIO: API Vision Console Makes the Grade at Mount Olive High School
PRO AUDIO and HIFI: What London-based mastering superhero Streaky thinks of the Type 30
PRO AUDIO: Check out the Golden Age Project 500 Series review in Sound on Sound
PRO AUDIO: Antelope Audio adds compression quadrilogy triumph to vintage hardware-based effects library
PRO AUDIO: The Golden Age Project COMP-2A has been reviewed in Sound on Sound
PRO AUDIO: Check out the new Slate Raven Core Station
PRO AUDIO: HEDD Lineariser plug-in addresses monitor phase
PRO AUDIO: A Skeptical Pro Producer Tries VMS
PRO AUDIO: API Legacy AXS Console Sold by AVN Systems Installed
HIF and PRO AUDIO: Audiomatica presents CLIO12
PRO AUDIO: API Legacy AXS Console Installed at Michael Marquart's VA Studio
PRO AUDIO: API Legacy Plus Console Installed at MacEwan University in Canada
PRO AUDIO: Antelope ZEN STUDIO + August - September campaign
PRO AUDIO: Slate Core Station shipping in August
PRO AUDIO: Slate news
PRO AUDIO: API Legacy AXS Console Sold to Japan's Tanta Studio
PRO AUDIO: Tree Audio Nerwsletter
PRO AUDIO: Engineer and producer Mike Horner, who describes with enthusiasm RAK's never sleeping 10MX, Trinity and Orion32
PRO AUDIO: API Guitar and Bass pedal videos
PRO AUDIO: Engineer Daniel Sanint chooses Lauten Audio ‘Eden’ LT-386 for Ingrid Michaelson & Sara Bareilles Vocals
PRO AUDIO: Strange Weather Installs API Legacy AXS Console
PRO AUDIO: Check out this great review of the WesAudio _Dione

 PRO AUDIO: Logistics Chooses PMC Nearfields For His Main Studio

 


Logistics Chooses PMC Nearfields For His Main Studio

Drum and bass legend, in-demand remixer and Hospital Records artist Matt Gresham (also known as Logistics) has bought a pair of PMC twotwo.6 nearfield monitors for his own studio. The new speakers have been used for all of the mixing and mastering Gresham has done over the last few months in preparation for a new Logistics album.

"I've been working mainly from home for a while now, apart from vinyl mastering which I still have done externally," explains Gresham from his Cambridge studio. "The twotwos have been a real pleasure to work on since I got them."

Gresham sought out the PMCs after a few months of dissatisfaction with the mixes he was making on his previous nearfields, and a mastering session with Stuart Hawkes at Metropolis where he realised what his mix sounded like on a pair of PMC's BB5 XBD-As. He began to look into using some PMCs that were a more suitable size for his small studio, and auditioned a pair of twotwo.6s. "I just remember being blown away by the clarity and the detail," he comments. "The crazy thing was the lack of distortion and their transparency.

"A lot of people use flattering speakers in the studio. That's great for getting some excitement going while you're writing, but if you're mixing as you build a track, which is how I prefer to do it, you could find that you can't get your final mixes the way you want them to sound. Now I know that I'm getting a true picture of a track as I build it, and I find things just slot into the mix easier as I'm going along. With the old monitors, I would often do a mix, leave it, come back to it, and find myself endlessly tweaking. That's happening less and less with these; it's a lot more fun to make music, and when I reference on other systems or when DJing, I'm happy with what I'm producing here. I also find that I'm able to work really long hours on them as well, and that my ears don't get fatigued in the way that they would with the old monitors."

Aside from the forthcoming solo album, Gresham is currently collaborating separately with Hugh Hardy and Maduk, working with his brother Dan on another of their joint NuLogic releases, and also with his other brother Nick (of Other Echoes), all the while continuing to remix artists such as Etherwood and Andreya Triana.

Gresham is also working with other vocalists for his own album, and unlike previous vocal recording sessions, all the work so far has been done in his studio.

"We discussed using the vocals as demos and re-recording them at a bigger studio, but in the end what we captured here sounds great, and has been another really enjoyable experience with the PMCs," he explains. "When you've got a vocalist in, you really want to know that the take you've got is going to be the one that you end up using… the detail in these speakers is fantastic for that."

Gresham adds that recording on his new PMC's has been really enjoyable.

"Within the first two weeks, I wrote the most absurdly loud track, which came out sounding so huge - and I hadn't even really tried to do that!" he says. "It still has all the frequencies — you know, in the past, I might thin some of that out while building a track, so that there's still room in the spectrum for a big bass. But I didn't need to use any heavy EQ with the PMCs. And the track has still got that clarity. Right from that point, I had confidence in them."

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