PRO AUDIO: Catching Up with Wire Road Studios and their API Legacy AXS Console
PMC Speakers:Once again we have teamed up with award-winning DJ Afrojack
PRO AUDIO: We can now demo the Api 2448.
PRO AUDIO: The Kray Twinz choose PMC
PRO AUDIO: API 2448 Console Installed at Pinch Recording
PRO AUDIO: API Legacy AXS Console Sold to Poland's Tall Pine Records
PRO AUDIO: Api 2448 TapeOp review
PRO AUDIO: API 1608-II Console Installed at Red Barn Studio
PRO AUDIO: Fenix Studios Install QB1 XBD-A
PRO AUDIO: API 2448 Makes European Debut at Musikmesse Frankfurt
PRO AUDIO API 1608-II Console Commissioned for RPM Music Group
PRO AUDIO: API 1608-II Console the Choice for Five Towns College
PRO AUDIO & HIFI: Check out the latest PMC news
PRO AUDIO: Slate presents the Raven MTZ
PRO AUDIO: API Releases THE BOX Console with an Updated Feature Set
PRO AUDIO: One Year Later: API Legacy AXS Console Sold by AVN Systems
PRO AUDIO:Check out this interesting Cenzo Townshend Studio Tour video. I was happy to see three Golden Age products featured in the beginning of the video!
PRO AUDIO: API Legacy AXS Console Installed at Oktaven Audio
PRO AUDIO: Steven Slate Drums SSD5
PRO AUDIO: PMC and AFROJACK presents the Global Remix Battle I
PRO AUDIO. Chandler Limited presents the TG Microphone
PRO AUDIO: api presents the 1608 MKII
PRO AUDIO: api presents the 2448
PRO AUDIO: Check out the story about Mäag Audio´s Air Band EQ.
PRO AUDIO: Slate VRS-8 börjar levereras nu!
PRO AUDIO: Check out the new Mäag Audio website
PRO AUDIO: Stevel Slate presents the ML-1 Vintage Edition
PRO AUDIO: Check out the English translation of this great review on the Golden Age Premier PRE-73 Premier at
PRO AUDIO: reviews the Golden Age Premier PRE-73 PREMIER
PRO AUDIO: The GA-251 will start shipping early October
PRO AUDIO: API Legacy AXS Installed at Studio Tanta
PRO AUDIO: API TranZformer Serires receives the Best in Show Award
PRO AUDIO: Slate News
PRO AUDIO: API Legacy AXS Console Purchased by Oktaven Audio
PRO AUDIO: One Year Later: Strange Weather's API Legacy AXS Console
PRO AUDIO: PMC June Newsletter
PRO AUDIO: The GA-47 has been reviewed at
PRO AUDIO: Golden Age Projct Sweetwater interview
PRO AUDIO: Golden Age Project presents the COMP-3A Jr
PRO AUDIO: elysia presents the skulpter 500 preamp
PRO AUDIO: Golden Age Project EQ-81 MKII now in stock
PRO AUDIO: Golden Age Project R1 ST reviewed by MusicTech magazine
PRO AUDIO: PMC result6 news
PRO AUDIO: API Vision Console Commissioned at Kent State University at Stark
PRO AUDIO: aw Tracks To Polished Mix With Slate VMR 2.0 & RAVEN
PRO AUDIO: API Announces Second Legacy AXS Console Sale to Europe
PRO AUDIO: Mercury Recording Equipment - Studio Microphone Amplifier Demo
PRO AUDIO: The Golden Age Project COMP-2A has been reviewed by MusicTech magazine
PRO AUDIO: The Golden Age Project COMP-2A has been reviewed by Tobi Tech
PRO AUDIO: Chris lord-Alge Adds The EQ4M To His Arsenal
PRO AUDIO: Eventide announces availability of highly-anticipated H9 Control as Android App for H9 Harmonizer® Effects Processo
PRO AUDIO: Check out this new Golden Age Project COMP-3A review
PRO AUDIO: Recording drums at the Slate headquarters using the Virtual Microphone System
PRO AUDIO: News from Eventide: We’re proud to have had the DDL1745 inducted into the NAMM TEC Hall of Fame in 2018.
PRO AUDIO: Hedd Audio presents the Tower Mains
PRO AUDIO & HIFI: The PurePower+ 2000 was awarded the "Outstanding Product" title in the February 2017 issue of Hi-Fi News.
PRO AUDIO: New products
PRO AUDIO: BURL Audio is excited to announce that the highly anticipated BMB3 Dante option for the B80 and B16 MOTHERSHIPs is shipping now!
PRO AUDIO: Check our the demo video for the Bettermaker EQ542
PRO AUDIO: Major label artist drives Chandler Limited REDD Microphone for latest single, hear it now!
PRO AUDIO: Check out the Golden Age Premier GA-47 testimony by Geroge Murphy
PRO AUDIO: HEDD AUDIO Type 20 får en fin test i tidningen Monitor
PRO AUDIO: PMC December Newsletter
PRO AUDIO: Chandler Limited News
PRO AUDIO & HIFI: En fantastisk test av HEDD Audio Typ 20
PRO AUDIO: API TranZformer Series: First Year
PRO AUDIO: Check out the GAP user FreddeRico video
Pro Audio: Golden Age Project user comments
PRO AUDIO: Chandler Limited presents two new 500 modules
PRO AUDIO & HIFI: The Hedd Audio Type 20 is shipping and reviews are starting to appear
PRO AUDIO: Check out these great Golden Age Project Combos
PRO AUDIO & HIFI: PMC presents the result6 monitor
PRO AUDIO Eventide presents the H9000
PRO AUDIO: Golden Age Project presents the R1 ST Stereo Ribbon Mic
PRO AUDIO: Royer Labs presents the R10
PRO AUDIO: API Shows Wire Road AXS Console at AES, Commissioning to Follow
PRO AUDIO: API Legacy AXS Console Commissioned at Made in Memphis Entertainment
PRO AUDIO: API Vision Console Makes the Grade at Mount Olive High School
PRO AUDIO and HIFI: What London-based mastering superhero Streaky thinks of the Type 30
PRO AUDIO: Check out the Golden Age Project 500 Series review in Sound on Sound
PRO AUDIO: Antelope Audio adds compression quadrilogy triumph to vintage hardware-based effects library
PRO AUDIO: The Golden Age Project COMP-2A has been reviewed in Sound on Sound
PRO AUDIO: Check out the new Slate Raven Core Station
PRO AUDIO: HEDD Lineariser plug-in addresses monitor phase
PRO AUDIO: A Skeptical Pro Producer Tries VMS
PRO AUDIO: API Legacy AXS Console Sold by AVN Systems Installed
HIF and PRO AUDIO: Audiomatica presents CLIO12
PRO AUDIO: API Legacy AXS Console Installed at Michael Marquart's VA Studio
PRO AUDIO: API Legacy Plus Console Installed at MacEwan University in Canada
PRO AUDIO: Antelope ZEN STUDIO + August - September campaign
PRO AUDIO: Slate Core Station shipping in August
PRO AUDIO: Slate news
PRO AUDIO: API Legacy AXS Console Sold to Japan's Tanta Studio
PRO AUDIO: Tree Audio Nerwsletter
PRO AUDIO: Engineer and producer Mike Horner, who describes with enthusiasm RAK's never sleeping 10MX, Trinity and Orion32
PRO AUDIO: API Guitar and Bass pedal videos
PRO AUDIO: Engineer Daniel Sanint chooses Lauten Audio ‘Eden’ LT-386 for Ingrid Michaelson & Sara Bareilles Vocals
PRO AUDIO: Strange Weather Installs API Legacy AXS Console
PRO AUDIO: Check out this great review of the WesAudio _Dione

PRO AUDIO: Burl Audio Converters

Check out the comments from Bob Ebeling

Bob Ebeling writes about his expereice of the Burl Audio DAC;

"I have no problem putting my 20 years of experience behind calling this.  I feel there will be a lot of controversy and misunderstanding and I want people to understand that before digital there was no such concept of transparency and clarity.  You just mixed it off the 2" to sound as good as possible.  This whole transparent converter thing...I'm just deprograming myself for godsake.  How could a cat who's mixed 40 plus major label records, off of 2" no less, get caught up in that?  It's amazing how time slowly twists things. 
Your DAC here is exactly what your literature says it is, which is pretty astounding.  My only regret at this moment in time is that I can't afford 24 to 40 channels of it!  But I could see 2 DA and one AD (which I haven't heard yet) probably being the final stamp on permanent joy in the digital age.
Bob Ebeling
So here is the link:
and here is my statement:
I was zooming some youtube vids and came across Rich, (Mr. Burl if your nasty). I had an impression right away from his flippant, strange presence. I thought, wow, this guy, in a way, does not give a shi$. He is probably really onto something. I can trust him.

Forward 2 weeks, a few e-mails, and Fed-Ex drops off a Burl DAC yesterday. I jumped right in to a major comparison between it and my Mytek 8x192. I have just sold my Lavry DA-10 for monitoring, because I have arrived at a point where I'm sick of total seperation in listening. I want to hear the instruments glued together in a unified picture and not start off mixing by trying to achieve this. I've been on a big kick to restore the joy of analog ease to my work environment. This is a big step.

In my trial of the Burl DAC yesterday, I have found it guilty as charged. How was it charged? Just listen to Rich speak on his youtube vid. He talks about analog, about voicing in which the cymbals aren't bashing in your face. This is exacly what I experienced. You can trust this guy. How he describes it is how I'm experiencing it.

Because the highs have this nice smooth slope, the rest of the picture is rendered wide and beautiful. The Rhodes piano thru huge reverb on my main test-track had this aura and width that made me just want to listen and enjoy it. The lowend is huge, open but so damn tight! Switching back to the Mytek, the cymbals came a-bashing back on top and that pretty much wrecks the joy from there on down.

Checking out track 3 on Beck's 'Seachange' showed me further how analog true this dac is. The snare drum was very different between the two converters. Mytek showing a brighter/thinner element off, Burl showing it off like it was coming back off the origional 2-inch machine. I thought, this is how they mixed it in the studio. You can hear the tape compression, you can hear they printed that bitch hard. And the snappy sound of the Mytek is replaced with a gutteral pound.

I think there is a bit of confusion over the term 'reference', people thinking that means 'for monitoring duties'. Though I was using the Burl for 'referencing', my main thought right now is this; how could I not have this on my main analog insert? I use alot of outboard gear and go for the most coloration possible. I have no fear.

I'm over the argument that AD/DA should be neutral. I disagree. Although, truthfully, I'm not doing Celine Dion type music, so... But seriously, I don't think this translates the way people have built up in their heads and been sold on by the 'digital powers that be' for the last 15 years.

'Mr. Burl' has created a timeless companion of life here. It's got an attitude like my Marantz 2235b receiver. It says, 'I am going to present you with pleasure'."


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