Check Out / Checka Ut
Slate Digital VRS-8 + ML-1
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BUY A VRS-8 INTERFACE & GET A FREE ML-1 MICROPHONE
One of the industry's BEST-REVIEWED audio interfaces now comes with the Award-Winning VMS ML-1 modeling microphone (valued at over $800) - absolutely FREE!
PLUS, you'll get AN ENTIRE YEAR'S WORTH of the world's most sonically-authentic analog-modeled plugins and amp sims. Record with nearly ZERO LATENCY through vintage virtual preamps, EQs, compressors and more!
BUT THAT'S NOT ALL . . . you'll get your very own $100,000 virtual mic locker featuring an array of both high-end vintage and modern classics!
The VRS-8 Virtual Analog Interface changes the playing field, by offering more pro features and technical advancements than any other interface in its class, and at a far lower cost. It features eight VMS Ultra Linear microphone preamps, mastering grade A/D and D/A converters, high-end circuit design featuring boutique op-amps, WIMA capacitors and discrete headphone amplifiers, and the lowest latency of any native solution (down to .7 ms at 96k!).
Includes 8-Channel Interface, 1-year subscription to Slate Digital "Everything Bundle", ML-1 mic and the classic Tubes 1& 2 software with the Virtual Pre-Amp collection included with the ML-1 mic.
Read real VRS-8 user reviews
Product details / Produktdetaljer
In 2017, we at Slate Digital are excited to announce the next step in our continuing crusade to bring professional audio tools to the masses: the Virtual Recording Studio, featuring the VRS-8 audio interface and ML-2 modeling microphone.
On the surface it may look like we’ve simply announced a new small-diaphragm modeling microphone and an eight-channel audio interface (which would be amazing on its own!), but the reality is that we’ve just announced the birth of a new audio ecosystem.
The VRS-8 is NOT just another “me too” eight-channel recording interface - it’s a fantastic-sounding professional audio converter packed with tons of features:
EIGHT Ultra Linear VMS-One mic preamps, enabling you to use our microphone and preamp emulations on every input and controlled directly from the front panel for easy control when tracking.
A LLN™ (Low Latency Native) custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible .7 milliseconds of latency at 96K (with a 32 sample buffer) - allowing you to monitor through mic and preamp emulations while tracking.
Mastering-quality conversion technology incorporating the newest AKM converters, offering a whopping industry-best 124db of dynamic range on all inputs.
XTC satellite-grade clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance.
Built-in monitor switching and headphone amplifiers.
Native MIDI IO, for accurate MIDI timing that doesn’t utilize the USB bus.
Thunderbolt / PCIe for Mac connectivity for maximum cross-platform compatibility.
Limited support for PC / Win computers for the time being: must be used with the included PCIe card (no laptop support), only one VRS-8 unit supported. The PC driver is still in beta but the final version is expected soon.
The VRS-8 comes with a free one-year subscription to the Everything Bundle
"This interface blows them all
away in terms of sound quality... Both the A/D and D/A sound incredible,
notably better than anything I've ever heard... The VRS8 actually delivers. The
converters on this thing are noticeably above par. I've been engineering
for about 12 years in a few professional studios and have a modest setup at
home. I've spent many hours with [other top brand interfaces and converters].
Every time I have purchased an expensive piece of gear expecting to be blown
away I've been disappointed. I can honestly say the VRS8 has something very
special going on. Just playing back music in Spotify had me floored. It's the "night and day" difference every
company claims their piece of equipment is going to do... it undoubtedly sounds better than anything I have used
prior. My NS10's honestly started sounding like a HI-FI speaker, the conversion
may be too good...hah”
“Yesterday it was the first time for me to use the VRS8 and ML-1 and ML-2 mics on a live show and damn the results were fantastic. As soon as I heard the FG-401 on drums and the FG-116 on vocals, I was blown away. There were no latency issues at all, even with tons of plugins and almost the highest buffer size that my laptop could use. If any of you do live sound, then you really should consider this stuff. It sounds way better than any console / piece of gear I've ever used on a show before.”
Robert Alexandru Moisuc
Sound Engineer, In-House Technician, Technical Consultant & Stage Manager - Hot Vox
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