PRO AUDIO: We now sell the Mäag Audio products
HIFI & PRO AUDIO: PMC, Makin’ & Breakin’ records with The Wu-Tang and the world’s most expensive album ever made
PRO AUDIO:Mills College Installs 1608 for Hands-On Analog Learning
HIFI & PRO AUDIO: Audiomatica´s Clio Pocket reviewed by Dr. D'Appolito
PRO AUDIO: Chandler newsletter
HIFI: PMC twenty 26 får en fin test
PRO AUDIO: elysia presents the karacter 500
PRO AUDIO: Chandler Limited REDD.47 Scores NAMM TEC Awards Nomination
PRO AUDIO: Heil Sound newsletter
PRO AUDIO: Zac Brown Band Chooses Custom API Legacy Plus
PRO AUDIO & HIFI: October newsletter from PMC
PRO AUDIO: Chandler Limited presents the RS-124
PRO AUDIO: Slate media Technology present the Virtual Microphone System
PRO AUDIO: Chilean Studio Builds Workflow Around API’s BOX Console
PRO AUDIO: Barefoot Sound and Zac Brown
PRO AUDIO & HIFI: PMC launch the QB1 XBD-A high resolution speaker system and the PMC Unveils the Definitive Main Monitor
PRO AUDIO: Slate Media Technology presents the MTi2
PRO AUDIO:Japan’s Prestigious NHK Commissions Two API Consoles
PRO AUDIO: Detroit Techno star Kenny Larkin creating and producing music on his BOX console
PRO AUDIO: Antelopr Audio presents the AuraVerb
PRO AUDIO: Antelope Audio Receives Three Outstanding Technical Achievement Nominations for 31st Annual TEC Awards
PRO AUDIO: ZiemannUp to Speed with His API BOX
PRO AUDIO: API 1608 Is Perfect Centerpiece for Non-Profit Studio
PRO AUDIO & HIFI: The 1st UK playback of 'Queen: The Studio Collection' on MB2 XBD-A’s
PRO AUDIO: BB4 Studios Installs PMC IB2 Speakers
PRO AUDIO: Lisson Grove news
PRO AUDIO: Brad Englander: "All Roads Lead Back to API"
PRO AUDIO: Eventide Updates Entire Stompbox Line
PRO AUDIO: Barefoot Sound Returns to Pensado Awards as Premium Sponsor
PRO AUDIO: Check out this exhaustive Eventide H9 MAX demo!
PRO AUDIO: Chandler Limited Newsletter - Mixing it up with Hit Maker Michael James
PRO AUDIO: Logistics Chooses PMC Nearfields For His Main Studio
PRO AUDIO: Antelope Audio Pure2 and Isochrone 10M the Golden Ticket for Globetrotting Mastering Engineer Glenn Schick
PRO AUDIO: Earthworks in Action - Umphry's McGee FOH Engineer Chris Mitchell on the SR25
PRO AUDIO: Slate 2015 Mid-Summer Newsletter
PRO AUDIO & HIFI: dBs Music adds more PMC speakers
PRO AUDIO & HIFI: PMC helps Galaxy Studios Create Auro-3D Projects
PRO AUDIO & HIFI: A day of Audio and Auto Nirvana
PRO AUDIO & HIFI: PMC have Hull University Surrounded
PRO AUDIO & HIFI: The True Sound of Michael Jackson
PRO AUDIO & HIFI: PMC June newsletter
PRO AUDIO: PMC twotwo.8's Go Way In West
PRO AUDIO: Eventide Gets Salty with “CrushStation”
PRO AUDIO: Antelope Audio's Orion32 Accompanies Tori Kelly on Tour, while Mick Guzauski Records and Mixes Exclusive Performance of 'Confetti' in the Studio
PRO AUDIO: 1,295 Tracks and Climbing: Producer Barrie Gledden’s Discusses API 1608
PRO AUDIO: Eventide introduces the Crush Station distorsion algorithm for the H9.
PRO AUDIO: Producer/Multi-Instrumentalist Behind Celldweller Unlocks a Brand New Cosmos of Sound with Antelope Audio's Orion32
PRO AUDIO: The Royer Labs R-101´s is offered at a discounted campaign price until August 31.
PRO AUDIO: Wade Goeke Interview – Seeing REDD
PRO AUDIO & HIFI: PMC Speakers June newsletter
PRO AUDIO: Earthworks Mics Help Umphrey's McGee FOH Engineer Chris Mitchell Eliminate Corrective EQ
PRO AUDIO: Earthworks in Action - Coldplay FOH Engineer Dan Green on the SR40
PRO AUDIO: Producer BenDMA Finds His 'Zen' in Jamaica with Antelope Audio, Working on New Marsimoto Record
PRO AUDIO: Eventide soon releasing a new algorithm
PRO AUDIO: Chandler Limiter newsletter
PRO AUDIO: API Brings 48 Channels of Analog Warmth To U.S. Army Band
PRO AUDIO: The Q2 Audio ADR F760X-RS is reviewed in Pro Audio Review
PRO AUDIO: Chandler Limited newsletter June 2015
PRO AUDIO:The Blasting Room Brings API’s "Legendary Sonic Stamp" To the Studio
PRO AUDIO: Slate Media Technology Summer Newsletter
PRO AUDIO: PRO AUDIO: Earthworks ZDT Preamps Bring Transparency to The Killers' Battle Born Studios
PRO AUDIO: Slate Digital soon to present the Virtual Microphone System
PRO AUDIO and HIFI: Faith No More's new album is mastered on PMC IB1S monitors
PRO AUDIO: Check out these videos on the wonderful Tree Audio tube gear
PRO AUDIO: Aphec MIC X receives a great review in Pro Audio Review
PRO AUDIO: Dutch Superstar Ilse Delange Gravitates To API's 1608
PRO AUDIO: Check out Eventide´s new website!
PRO AUDIO: Dealers´s Notes on THE BOX from API
PRO AUDIO: Royer Labs introducing the R-122 MKII
PRO AUDIO: API THE BOX Owner Says It’s "Just Plain Fun" To Use
PRO AUDIO: Burl Audio newsletter for May
PRO AUDIO: Eventide - two new videos from Andy of Pro Guitar Shop/ Tone Report on the H9 MAX
PRO AUDIO: Golden Age Project COMP-2A and COMP-3A
PRO AUDIO: Kushner & Photek upgrade to PMC twotwo's
PRO AUDIO: Check ou this new Barefoot Sound video with some of the best Producers and Mixers
PRO AUDIO: New 500-rack from Heritage Audio with mixer functions
PRO AUDIO: UWL have a 'Blast' with PMC
PRO AUDIO: Mesanovic Ribbon Microphones
PRO AUDIO: Stardelta get active & make more hits
PRO AUDIO: Unity Audio launches The Super Rock Active Monitor
PRO AUDIO: Check out Unity Audios new website
PRO AUDIO: Antelope Audio Zen on the road
PRO AUDIO: Aphex - Australian Voice Actor, Radio & Television Presenter Justin Coombes-Pearce takes a close look at the Microphone X.
PRO AUDIO: Emily Lazar Takes Beauty Pill's Experimental Pop to New Sonic Heights, Using Antelope's Isochrone 10M Master Clock
PRO AUDIO: TG2-500 VIDEO & Sound Samples
PRO AUDIO: The choice for 'The Voice'
HIFI: Antelope Audio DSD DAC receives a great review in HiFi News
HIFI: PMC adds sub bass speaker to twenty series range
PRO AUDIO: The Chandler Limited REDD.47 is finally shipping
PRO AUDIO: Aphex news
PRO AUDIO: Aphex 320D keeping 157 movie stars under control
PRO AUDIO: PRS for Music choose twotwo monitors for their reference
HIFI: Audiomatica presents the Clio Pocket measuring system
PRO AUDIO: Antelope Audio news
PRO AUDIO: Eventide newsletter

PRO AUDIO: PMC unveil the new twotwo sub1

Visitors to NAMM 2014 in Anaheim, California, which opens today and runs until January 26th, will have the opportunity to take a first look at the latest addition to reference monitor manufacturer PMC’s twotwo range of active nearfields.

The new twotwo sub1 is a low-distortion, active subwoofer featuring PMC’s unique ATL™ bass-loading technology, Class D amplification and DSP-based filtering and bass management, which extends bass output significantly with negligible harmonic distortion. The built-in amplifier delivers an impressive 400W of power to the sub, which has an active frequency response from a profound 22Hz up to 200Hz, and as with all PMC ATL™ designs, the tonal balance of the output remains consistent at all listening levels, from whisper-quiet to a stentorian blast. The sub1 can be deployed in a 2.1 configuration with twotwo series monitors to gain extra bass extension and headroom, or reproduce the low frequency effects (LFE) channel in a surround monitoring system.

The two long-throw bass drivers employed in the twotwo sub1 are a bespoke PMC design using natural materials, with a low-mass, ultra-stiff doped-paper cone to deliver unparalleled transient response. The elegant cabinet dimensions makes the twotwo sub1 easier to place than typical cube-shaped subwoofer designs.

The sub1 features an AES3 XLR input with a built-in high-quality sample rate converter, and can thus accept digital signals at any sample rate up to 192kHz. A pair of balanced stereo analogue inputs on XLRs is also available; switching between the sources is carried out from the rear panel or the optional desktop twotwo remote. The digital input is also passed through to the sub’s analogue and digital outputs for connection with other devices, allowing the twotwo sub1 to be used as a high-class D-A to drive other analogue monitors from a digital stream if required. Both analogue and digital outputs are always active regardless of which sources are selected. A single parametric equaliser is provided to assist with in-room alignment, and the analogue and digital outputs can be high-pass filtered to feed satellite speakers in a 2.1 configuration.

In addition to showing the now-complete twotwo range (twotwo.5, twotwo.5, twotwo.5, and the new twotwo sub1), PMC’s IB2 XBD Active midfields will also be in use at the PMC

Golden Age Music ABPhone no. / Telefonnummer: +46 (0)322 66 50 50