PRO AUDIO: The Guitarist's Interface: Antelope Audio Brings Guitar FX and Amp Simulation to New Heights at Summer NAMM
PRO AUDIO:Multi-Band Distortion Now Available for H9 Harmonizer
PRO AUDIO: Slate Media Technology presents the Slate Control
PRO AUDIO: Check out this Barefoot Sound video
PRO AUDIO: Check out Antelopes Audios Hardware-based Guitar- and Vintageeffects
PRO AUDIO: Peluso mic video
PRO AUDIO: The Slate Virtual Microphone System is soon shipping
PRO AUDIO: Elysia presents the kaRACKter
PRO AUDIO: Automated Processes, Inc. (API) is pleased to announce the order of a custom Legacy Plus Recording console for Loyola Marymount University
PRO AUDIO: Mesanovic Microphones: In The Press
PRO AUDIO: Bettermaker EQ video
PRO AUDIO: Omar Hakim Selects Earthworks Drum Microphones for Studio & Stage
PRO AUDIO: Earthworks in Action - Robert Root on the ZDT Preamps
PRO AUDIO: Award-Winning Gospel/Christian Contemporary Producer Adds BOX
PRO AUDIO: Eventide Tverb Now Available
Antelope Audio presents the Zen Tour
PRO AUDIO: The first Golden Age Project COMP-3A video has been published
PRO AUDIO: Golden Age Project videos in Russian
PRO AUDIO: API 1608 Console Floats Lightship 95's Boat
PRO AUDIO: Antelope Audio Announces Launch of New Guitar Effects for Orion Studio
PRO AUDIO: Barefoot Sound - Masters of the Craft Featuring Alex Da Kid
PRO AUDIO: Engineer Todd Whitelock Captures Grammy Gold with Lauten Audio ‘Atlantis’ Mic
PRO AUDIO: Golden Age Project PRE-73 Jr reviewed in Music Tech magazine
PRO AUDIO and HIFI: PMC Newsletter
PRO AUDIO: Review: Mäag Audio EQ4M Mastering EQ
PRO AUDIO: Barefoot Sound news
PRO AUDIO: Antelope Audio Brings the Musical Genius of Andrea Bocelli Closer to Home
PRO AUDIO: Same Mojo, Different Package: 1608 and Vintage APIs
PRO AUDIO: The first review of the Golden Age Project COMP-3A
PRO AUDIO: Eventide Bows SpaceTime for H9 Harmonizer
PRO AUDIO: Eventide H9 MAX wins TEC Award at Winter NAMM 2016
PRO AUDIO: Peluso now have a Soundcloud page for listening to different Peluso microphones and recording sources.
PRO AUDIO: Undercover API 1608
PRO AUDIO: Eventide presents a new algorithm for the H9
PRO AUDIO: Rat City Sounds Better Than Ever With Addition of API 1608
PRO AUDIO: API Spreads Across Spain
PRO AUDIO & HIFI: PMC Newsletter December
PRO AUDIO: Antelope Audio News
PRO AUDIO & HIFI: msm studio's upgrade to Dolby Atmos with PMC
PRO AUDIO: Barefoot Sound - Masters of the Craft Featuring Tony Visconti
PRO AUDIO & HIFI: PMC Gives Jun Inoue His Silky Voice
PRO AUDIO: Excellent Video Resource on How to Use the 2500 Compressor
PRO AUDIO: dBs Music Berlin Uses Zen Studio to Teach Audio Recording
PRO AUDIO; Earthworks in Action - Big Bad Voodoo Daddy FOH Engineer Brian Stanley on the PM40T PianoMic
PRO AUDIO: We now sell the Mäag Audio products
HIFI & PRO AUDIO: PMC, Makin’ & Breakin’ records with The Wu-Tang and the world’s most expensive album ever made
PRO AUDIO:Mills College Installs 1608 for Hands-On Analog Learning
HIFI & PRO AUDIO: Audiomatica´s Clio Pocket reviewed by Dr. D'Appolito
PRO AUDIO: Chandler newsletter
HIFI: PMC twenty 26 får en fin test
PRO AUDIO: elysia presents the karacter 500
PRO AUDIO: Chandler Limited REDD.47 Scores NAMM TEC Awards Nomination
PRO AUDIO: Heil Sound newsletter
PRO AUDIO: Zac Brown Band Chooses Custom API Legacy Plus
PRO AUDIO & HIFI: October newsletter from PMC
PRO AUDIO: Chandler Limited presents the RS-124
PRO AUDIO: Slate media Technology present the Virtual Microphone System
PRO AUDIO: Chilean Studio Builds Workflow Around API’s BOX Console
PRO AUDIO: Barefoot Sound and Zac Brown
PRO AUDIO & HIFI: PMC launch the QB1 XBD-A high resolution speaker system and the PMC Unveils the Definitive Main Monitor
PRO AUDIO: Slate Media Technology presents the MTi2
PRO AUDIO:Japan’s Prestigious NHK Commissions Two API Consoles
PRO AUDIO: Detroit Techno star Kenny Larkin creating and producing music on his BOX console
PRO AUDIO: Antelope Audio presents the AuraVerb
PRO AUDIO: Antelope Audio Receives Three Outstanding Technical Achievement Nominations for 31st Annual TEC Awards
PRO AUDIO: ZiemannUp to Speed with His API BOX
PRO AUDIO: API 1608 Is Perfect Centerpiece for Non-Profit Studio
PRO AUDIO & HIFI: The 1st UK playback of 'Queen: The Studio Collection' on MB2 XBD-A’s
PRO AUDIO: BB4 Studios Installs PMC IB2 Speakers
PRO AUDIO: Lisson Grove news
PRO AUDIO: Brad Englander: "All Roads Lead Back to API"
PRO AUDIO: Eventide Updates Entire Stompbox Line
PRO AUDIO: Barefoot Sound Returns to Pensado Awards as Premium Sponsor
PRO AUDIO: Check out this exhaustive Eventide H9 MAX demo!
PRO AUDIO: Chandler Limited Newsletter - Mixing it up with Hit Maker Michael James
PRO AUDIO: Logistics Chooses PMC Nearfields For His Main Studio
PRO AUDIO: Antelope Audio Pure2 and Isochrone 10M the Golden Ticket for Globetrotting Mastering Engineer Glenn Schick
PRO AUDIO: Earthworks in Action - Umphry's McGee FOH Engineer Chris Mitchell on the SR25
PRO AUDIO: Slate 2015 Mid-Summer Newsletter
PRO AUDIO & HIFI: dBs Music adds more PMC speakers
PRO AUDIO & HIFI: PMC helps Galaxy Studios Create Auro-3D Projects
PRO AUDIO & HIFI: A day of Audio and Auto Nirvana
PRO AUDIO & HIFI: PMC have Hull University Surrounded
PRO AUDIO & HIFI: The True Sound of Michael Jackson
PRO AUDIO & HIFI: PMC June newsletter
PRO AUDIO: PMC twotwo.8's Go Way In West
PRO AUDIO: Eventide Gets Salty with “CrushStation”
PRO AUDIO: Antelope Audio's Orion32 Accompanies Tori Kelly on Tour, while Mick Guzauski Records and Mixes Exclusive Performance of 'Confetti' in the Studio
PRO AUDIO: 1,295 Tracks and Climbing: Producer Barrie Gledden’s Discusses API 1608
PRO AUDIO: Eventide introduces the Crush Station distorsion algorithm for the H9.
PRO AUDIO: Producer/Multi-Instrumentalist Behind Celldweller Unlocks a Brand New Cosmos of Sound with Antelope Audio's Orion32
PRO AUDIO: The Royer Labs R-101´s is offered at a discounted campaign price until August 31.
PRO AUDIO: Wade Goeke Interview – Seeing REDD
PRO AUDIO & HIFI: PMC Speakers June newsletter
PRO AUDIO: Earthworks Mics Help Umphrey's McGee FOH Engineer Chris Mitchell Eliminate Corrective EQ
PRO AUDIO: Earthworks in Action - Coldplay FOH Engineer Dan Green on the SR40
PRO AUDIO: Producer BenDMA Finds His 'Zen' in Jamaica with Antelope Audio, Working on New Marsimoto Record
PRO AUDIO: Eventide soon releasing a new algorithm
PRO AUDIO: Chandler Limiter newsletter

PRO AUDIO: PMC unveil the new twotwo sub1

Visitors to NAMM 2014 in Anaheim, California, which opens today and runs until January 26th, will have the opportunity to take a first look at the latest addition to reference monitor manufacturer PMC’s twotwo range of active nearfields.

The new twotwo sub1 is a low-distortion, active subwoofer featuring PMC’s unique ATL™ bass-loading technology, Class D amplification and DSP-based filtering and bass management, which extends bass output significantly with negligible harmonic distortion. The built-in amplifier delivers an impressive 400W of power to the sub, which has an active frequency response from a profound 22Hz up to 200Hz, and as with all PMC ATL™ designs, the tonal balance of the output remains consistent at all listening levels, from whisper-quiet to a stentorian blast. The sub1 can be deployed in a 2.1 configuration with twotwo series monitors to gain extra bass extension and headroom, or reproduce the low frequency effects (LFE) channel in a surround monitoring system.

The two long-throw bass drivers employed in the twotwo sub1 are a bespoke PMC design using natural materials, with a low-mass, ultra-stiff doped-paper cone to deliver unparalleled transient response. The elegant cabinet dimensions makes the twotwo sub1 easier to place than typical cube-shaped subwoofer designs.

The sub1 features an AES3 XLR input with a built-in high-quality sample rate converter, and can thus accept digital signals at any sample rate up to 192kHz. A pair of balanced stereo analogue inputs on XLRs is also available; switching between the sources is carried out from the rear panel or the optional desktop twotwo remote. The digital input is also passed through to the sub’s analogue and digital outputs for connection with other devices, allowing the twotwo sub1 to be used as a high-class D-A to drive other analogue monitors from a digital stream if required. Both analogue and digital outputs are always active regardless of which sources are selected. A single parametric equaliser is provided to assist with in-room alignment, and the analogue and digital outputs can be high-pass filtered to feed satellite speakers in a 2.1 configuration.

In addition to showing the now-complete twotwo range (twotwo.5, twotwo.5, twotwo.5, and the new twotwo sub1), PMC’s IB2 XBD Active midfields will also be in use at the PMC

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